NEWS
Category: Publications
  • LAUNCH: Reminders by Jasper Pelle


    REMINDERS is a poetic artifact dredged from some ragged shore. And like an artifact, it contains a broader architecture, a lost cultural situation, from which it was molded. But the situation is hardly important, rather what arises here: an ache lit in the lonely hours, urges whispering in the margins, walking from the pool to the river, transformation beckoned in a flood.
    There is no aim or directive defined in this work, only thickets of language and an invitation to “move more fascinated in greens / broad wastes of hue”.
    〰〰〰〰
    REMINDERS
    by Jasper Pelle
    Edition of 150
    16pgs, 2c (Aqua,Med Blue, Yellow)
    Published by Moniker Press
    Vancouver, BC – 2025
    〰〰〰〰
    PURCHASE HERE
    THANK YOUS
    Gratitude never ending to my partner Remy, a well spring of inspiration, joy, and support; to my family for everything over the years; to all the beings, places, and spaces from which this work arose; and to Moniker Press for their patience and willingness to work with me, this project likely wouldn’t see the light of day without them.
    BIO
    Jasper Pelle was born and raised in Seattle, Washington but found their creative footing in Missoula, Montana, primarily as a poet and performance artist. Their writing practice took shape in the DIY punk/art scene, growing out of noise and ephemera, engaging with language not as a tool to be manipulated for the sake of expression, but as an end in itself. Grounded in a palpable sincerity, their poetry is abstracted and embodied, tactile and immaterial; fields of image and sensation from which meaning and feeling are not strictly communicated but given the space to arise. Beyond their art practice they are a gardener, baker, and community organizer. They live in Vancouver with their partner and two black cats.
    EVENTS
    REMINDERS Launch: Reading and Performance
    July 4, 2025, 7:30pm at the Roundhouse Outdoor Plaza
    Featuring Jasper Pelle, Emily Lawson and Exiliahu in disharmonious chorus. Part of Vancouver Art Book Fair opening night programming.
    Sales of REMINDERS on friday were contributed to this GoFundMe: https://gofund.me/7be9103a to support Mohammed Alzaza’s family in Gaza and assist their travel and arrival to Canada. *Thank you so much we sold 8 copies and the money was donated to the gofundme!* Pictures here.

  • LAUNCH: CENTO with Open Space / dani neira, Vida Beyer, Nour Bishouty, Hazel Meyer, Philip Leonard Ocampo, Dana Qaddah


     
    CENTO
    dani neira, Vida Beyer, Nour Bishouty, Hazel Meyer, Philip Leonard Ocampo, Dana Qaddah
     
    cento (noun)
    a piece of writing, especially a poem, composed wholly of quotations from the works of other authors.
    anything composed of incongruous parts; conglomeration.
    Obsolete. a patchwork.
     
    CENTO is a loose-leaf, interactive artist book that features artist editions including a functional fortune-teller, bookplates with performance prompts, gossipy booklets, shape-shifting forms, existential meditations, and curatorial musings.
     
    Through its expanded book form, CENTO extends its namesakes’ literary tradition and embraces the language of patchwork as a reparative method. Piecing together personal, cultural, historical, and speculative fragments, the publication explores a non-linear gathering and layering of meaning.
     
    10×11″
    sewn binding / loose elements
    pgs: n/a (5 artists works)
     
    Edition of 150
    ISBN 978-1-989428-19-1
    Co-Published by Moniker Press, Open Space
    Curator — Dani Neira
    Design, Layout — Moniker Press, Dani Neira
    Risograph Printing — Moniker Press
    Victoria / Vancouver, BC – 2024
     
    PURCHASE HERE  

     

    THANK YOUs

    Thank you to Open Space, Doug Jarvis, Cassia Powell, dani neira and the artists.
     

    ARTIST BIOS

     
    Vida Beyer is an artist who blends the personal with an archive of artifacts, pictures and stories from popular and unpopular culture as a means to cultivate potential sites of recognition.
     
    Nour Bishouty is a multidisciplinary artist working across video, sculpture, works on paper, digital images, and writing. Broadly concerned with gaps in archival memory and the Western production of knowledge and fantasy, her practice explores notions of permission and articulation in cultural narratives overwritten by dispossession and displacement.
     
    Hazel Meyer is an interdisciplinary artist who works with installation, performance, and text to investigate the relationships between sport, sexuality, feminism, and material culture. Meyer’s work aims to recover the queer aesthetics, politics, and bodies often effaced within histories of sports and recreation. Drawing on archival research, she designs immersive installations that bring various troublemakers—lesbians-feminists, gender-outlaws, incontinent-queers—into a performative space that centres desire, queerness, and sweat.
     
    Philip Leonard Ocampo is an artist and arts facilitator based in Tkaronto, Canada. Ocampo’s multidisciplinary practice involves painting, sculpture, writing and curatorial projects. Exploring worldbuilding, radical hope and speculative futures, Ocampo’s work embodies a curious cross between magic wonder and the nostalgic imaginary. Following the tangents, histories and canons of popular culture, Ocampo is interested in how unearthing cultural touchstones of past / current times may therefore serve as catalysts for broader conversations about lived experiences; personal, collective, diasporic, etc.
     
    Dana Qaddah (b. Beirut, Lebanon) is an interdisciplinary artist & independent curator currently based on unceded Musqueam, Tsleil-Waututh and Squamish territory. Qaddah’s practice uses archives of personal & itinerant cultural knowledge to traverse themes of Arab futurism & storytelling, while reflecting on the condition of being abstracted from the destruction of one’s own sense of self & place.
     
    dani neira is a second-generation settler of mixed Colombian ancestry based in Vancouver, on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh peoples. Their interdisciplinary practice involves curatorial projects, independent publishing, art writing, and visual art. Exploring memory, language and built environments, their work embraces affective knowledge and the queer slippages which occur in everyday life. Dani holds a BA in Art History and Visual Studies from the University of Victoria, and is 1/2 of the curatorial project Dirty Dishes Collective.
     
    OPEN SPACE  is a non-profit artist-run centre situated on unceded Lekwungen territory in Victoria, British Columbia. Since its founding in 1972, Open Space has worked to present contemporary visual arts, music, writing, media arts and more.

  • PUBLICATION: sleep by Heather Tsang


     
    Sleep
    by Heather Tsang
     
    Sleep is a brief visitation into an imagined liminal space between sleep and wakefulness.
     
    2.75″x3.75″, 12pgs, 1c
    Edition of 150
    Risograph printed and published by Moniker Press
    Vancouver, BC – 2023
     
    PURCHASE HERE

     
    EVENTS

    Soft launching at Tokyo Art Book Fair, November 23-26, 2023
    Vancouver Launch at Zine Harvest – Preserves, January 27, 2024

    ARTIST BIO

    Heather Tsang is a graphic artist and designer residing on the unceded and ancestral territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. She holds a BDes in Interaction Design from Emily Carr University of Art + Design (2013) and is one sixth of the newly formed zine collective happen stance who exhibited at vanCAF 2023 and WORD Vancouver 2023.

    As a second-generation Canadian, first-generation American, and a member of the Chinese diaspora, comfort and subversion of identity are themes she notices appearing and reappearing in her work. Other topics of interest include embodiment and ethics.

    THANK YOUs

    To the members of happen stance, mom, dad, auntie Amy, and my brother Eric for all your love and support.

    TABF TRANSLATION:

    本作品では、「眠り」と「覚醒」の間にある想像上の空間を視察する。

  • PUBLICATION: birdcage, Alex Mah, Ilana Waniuk


     
    birdcage
     
    Encounters with ghosts, diasporic memories, dreams, and grandmothers. 
     
    birdcage is an introspective multi-media and performance work that reflects on family, migration, and memory through written text (scores and poetry), lanterns, voice, and music. The publication is designed to be assembled into a simple lantern that holds the scores and poems and invites the viewer to engage with the content in a non-linear way. The scores, poems, and lanterns are also part of a live performance work for solo violin and electronic tape. Created in collaboration with violinist, photographer Ilana Waniuk.
     
    dedicated to our grandmothers
     
    Alex Mah – text scores, poems, concept
    Ilana Waniuk- collaborator, violinist, photographer
     
    Edition of 150
    Riso printed and published by Moniker Press
    ISBN 978-1-989428-13-9
    Vancouver, BC – 2023
     
    PURCHASE HERE

    PERFORMANCE

    (coming soon)

    EVENTS

    Soft Launch: Seattle Art Book Fair May 6-7, Washington Hall, Seattle WA

    US Concert Premiere/Launch: San Diego May 26, 2023 – 5:00 pm  Conrad Prebys Music Center Experimental Theater, UC San Diego, CA

    THANK YOUS

    Special thanks to Felicia, my family, and EDAM.

    created on the unceded, traditional Coast Salish Lands, including the Squamish, Tsleil-Waututh and Musqueam Nations.

    Made possible with generous support from the Canada Council for the Arts and SOCAN Foundation

    ARTIST BIOS

    Alex Mah is an interdisciplinary artist, composer-musician, and performer in dance. He lives and practices on the unceded ancestral territories of the xʷməθkʷəy̓əm (Musqueam) Sḵwx̱wú7mesh (Squamish) and səlilwətaɬ (Tsleil-Waututh) Nations. His electroacoustic music investigates time and timbre and his written music explores embodied concepts such as chance, choice, and relationality in performance. He has performed in Canada, the U.S., and Germany and holds a BFA from SFU (Canada) and an MRes from Bath Spa University (U.K.).

    Ilana Waniuk is a violinist with interests ranging from improvisation to visual arts.  She is a founding member and co-artistic director of Tkarón:to – based contemporary/experimental music ensemble and presenting organization Thin Edge New Music Collective and Balancing on the Edge (multidisciplinary production company merging contemporary music and circus arts). Most recently, she is the curator/performer behind ‘Filaments’, an evolving concert program dedicated to collaboratively co-creating interdisciplinary works for violin, electronics and multimedia. Ilana divides her time between Tkarón:to – traditional territory of the Anishinaabe, the Mississaugas of the Credit; the Haudenosaunee; and the Wendat peoples- and San Diego where she is a grateful guest on the lands of the Ipai-Tipai Kumeyaay Nation. Ilana is currently a doctoral candidate in contemporary performance at the University of California San Diego.

  • PUBLICATION: Nunca há Nada | There Is Never Nothing, Luciana Freire D’Anunciação

    Nunca há Nada | There Is Never Nothing
    by Luciana Freire D’Anunciação
    Nunca há Nada | There Is Never Nothing is a collection of poems that look into the performativity of the poetic language as potential to expand Luciana Freire D’Anunciação’s performance art and dance practice. They are based on the improvisation technique of paying attention to the smallest events from the continuous stimuli exchange between the internal and external worlds in the present moment. Poetry here becomes a medium for creatively documenting performances she did or witnessed — and after the fact chose to frame it as such. Most of the texts were written during the second year of the pandemic. Some of them she wrote first in English, some in Portuguese, some in Canada and some in Brazil. Later she translated them embracing the oddness of translation gaps and the impossible literal translations. This also reflects her condition as a Brazilian immigrant living in Canada, who reconciles two languages, two cultures, and two art disciplines (poetry and performance) as well as pursues never-ending questions around identity and sense of belonging.
    Written and translated by
    — Luciana Freire D’Anunciação
    Mentor and editor (Portuguese)
    — 
    Magno Almeida

    Editor (English)
    — 
    elika mojtabaei
    Design and Layout
    — Erica Wilk
    — 
    Luciana Freire D’Anunciação
    Edition of 150
    Risograph printed and co-Published with Moniker Press
    Vancouver, BC – 2023
    PURCHASE HERE
  • LAUNCH: 2023 Artists Calendar

    the future iii // Moniker Press invites 12 artists to experiment with 3-colour risograph printing and the 2023 Artists Calendar is the result!
    Calendar is bound with a clear spiral coil, and designed for horizontal hanging or standing display.  Includes artist biographies, monthly calendar spreads + bonus word search etc!
    FEATURED ARTISTS: 
    Yunhan Wang, Zion Greene-Bull, Robin N.,Sarah Leavitt, Alia Hijaab,Rawan Hassan, karen shangguan, Nandita Ratan, Paige Jung 健菁, Dana Kearley, Leanne Inuarak-Dall, Britney Yan
    Printed + Published by Moniker Press, Vancouver, BC, 2022/23
    Proceeds from the Artists Calendar will support Moniker Press’ 2023/24 publishing projects through the open call for submissions.
    PURCHASE HERE
  • Publication: so that we don’t perish by the truth by Emily Neufeld

    09.07.22

    so that we don’t perish by the truth
    by Emily Neufeld

    There is a particular smell in abandoned houses, especially on dry, sunny days. The dust that hangs in the air, capturing the light, is part soil, part plaster dust, part dry pigeon shit, part microbes, part human cells, part stardust. It makes it easy to remember that human habitats are interwoven with the lives of so many other creatures. 

    so that we don’t perish by the truth’ is a collection of four zines and loose prints, compiling together Emily Neufeld’s research and exploration of homes throughout Canada that are in their last days of functionality: Homes slated for demolition in the lower mainland, abandoned farmhouses on the prairies, empty homes in small fishing villages in Newfoundland and Cape Breton, and in mining ghost towns in British Columbia. Her work is a sort of funerary right, and acknowledgement of Canada’s colonial history. This risograph printed publication combines photographs, ephemera and collaborative writing in a non-sequential reading experience. Featuring Laura Cuthbert Gaaysiigad, Jane Walker, David Ng and Nura Ali, who have each responded to the accumulated material from a location they have an intimate relationship with.

    Edition of 130
    Risograph printed and Published by Moniker Press
    Vancouver, BC – 2022


    PURCHASE ONLINE HERE

  • a/denegado: pensamientos en la frontera (special addition) for Out of Bounds at Libby Leshgold Gallery

    07.20.22

    a/denegado: pensamientos en la frontera (special addition) for Out of Bounds at Libby Leshgold Gallery, July 20-Aug 28, 2022 (12-5pm daily)

    Out of Bounds is the fifth installment of the Summer School for Artists’ Publishing, presented annually by the Libby Leshgold Gallery and READ Books. This year, we have commissioned several artist-publishers to make new or reanimated works that resist the constraints of conventional dissemination, intellectual property restrictions, state censorship, and economic barriers to reach or form new publics and counterpublics. These works belong to a wider field of publishing that includes unauthorized copies, facsimiles, activist tools and manuals, anarchist cookbooks, anonymous leaflets, banned or suppressed books, street posters, and samizdats.

    pensamientos en la frontera is an ongoing project compiled by andi and collaboratively riso printed and published with Moniker Press. It consists of a continuously growing bundle of publications and prints that feature many perspectives on displacement and borders. It comes as a new generation of Nicaraguan youth are forced into immigration, to create bridges to connect culture-specific ways forced movement is carried in language, image, and sense of home across cultures. 

    This addition is a call to action as more people exercising their right of movement and refuge are met by the violence of border regimes; six months 111,000 migrants, raided newspapers, swimming lessons for Rio Grande. 

  • Publication: Passage and Portal by Sunny Nestler

    12.04.22

    The actions we must take to slow a pandemic can become concentrated anxiety, gripping the collective guts a little tighter every day. A tangled knot; embodied uncertainty, and a portal; a looking glass; the possible futures that exist on the other side. Tubes lead into the feeling of time, expanding to step through a portal, and stretching over a threshold very slowly and very carefully.

    Passage and Portal is a mixture of collage, drawing and painting melded together with the risograph medium. A glimpse into the perspective of Sunny Nestler who lives with an immune disease that affects their digestive system, throttling their upper cerebral-brain and lower gut-brain into overdrive. 

    Edition of 150
    60 pages, Spiral Bound, 4c
    Risograph printed and Published by Moniker Press
    Vancouver, BC – 2022


    PURCHASE ONLINE HERE

  • Publication: freshwater | salt by Rosemary Xinhe Hu and Madeline Metras

    11.10.21

    freshwater | salt is a meditative exploration of water and its relation to Rosemary’s mental health recovery. Living with a lifelong mental illness like bipolar can at times feel incapacitating in a way difficult to tangibly describe, and can make it painfully difficult to understand identity as a unified whole. How do you show someone what depressive episodes spanning 10 years looks like, with full shapes? And then how do you convince people to care?

    Poetry — Rosemary Xinhe Hu
    Illustration — Madeline Metras

    Edition of 200
    Risograph printed and Published by Moniker Press
    Vancouver, BC – 2021


    PURCHASE ONLINE HERE